Every year, I try to support at least one underfunded school project that involves science fiction & fantasy literature in the curriculum. I found and pushed one to fully-funded today. Maybe you can too. Take a look at https://www.donorschoose.org/ and see if there’s something you can get behind.
I’ll be at Philcon this year and have the following items on my schedule:
Sat 11:00 AM in Autograph Table—Autographs: Saturday 11am (3346)
Neil Clarke, Joan Wendland
Sat 2:00 PM in Plaza III (Three)—The Robot “Other” (3087)
Creating empathy for humanity’s not-quite-human creations was groundbreaking with Frankenstein, but now, stories told from the perspective of A.I. are common enough that they’ve become their own sub-genre. How do these stories affect how we perceive ourselves? Have we reached the point where we have more empathy for robots than we do for other humans?
Joan Wendland (mod), Anastasia Klimchynskaya, Barna William Donovan, Neil Clarke, David Walton
Sat 8:00 PM in Plaza II (Two)—Meet the Editors! (3040)
Magazine and small press editors discuss what goes into creating their publications, from the economics of staying viable in the electronic age to getting appropriate submissions.
Hildy Silverman (mod), Darrell Schweitzer, Joshua Palmatier, Alex Shvartsman, Neil Clarke, Ian Randal Strock
No dealer’s room for me, so I’ll just be wandering around enjoying the convention. If you are looking to get a copy of NOT ONE OF US signed, I’ve made arrangements for a dealer to stock them. I’ll also have a few with me at my signing.
I spent last weekend at the World Fantasy Convention in Baltimore and had a great time even though I spent a large chunk of it behind my table in a very slow moving dealer’s room–no worries, I went in expecting it to be more marketing-oriented thing than sales. Staying in one place made it a lot easier for people to find me and I had a lot of enjoyable conversations with artists, authors, and readers.
Not all that long ago, the World Fantasy Awards changed the award from “the big ugly head” to a bronze award created by Vincent Villafranca. Vincent is an amazing artist and, in addition to the 2013 Hugo Award he made, I am proud to own a few of his smaller works. This year, the art show featured several of Vincent’s works, including various prototypes and molds used in the process of creating the award. It was fascinating to see and I’m so glad they did this. Far too often, what goes on behind-the-scenes in the creative process is ignored, so I applaud that they made this possible for all to enjoy. (There was a lot to enjoy in this year’s art show.)
Despite changing the award, the nominee pins remained the same–a smaller version of the head. This year’s convention team took it on themselves to work with Vincent and create a matching nominee pin that was the envy of many previous nominees, myself included. I have to praise their efforts to make this happen. I wish I had taken picture of one. Maybe a nominee (or winners, congratulations, by the way) will post a shot of theirs soon.
This year’s convention was also the first I’ve seen to feature a consignment table–likely influenced by SFWA’s efforts at Worldcon earlier this year. This allowed attending authors to bring some of their books and have them available for sale at the con. From what I could see, it appeared to be quite successful and helped out a lot of authors who wouldn’t have been well-represented by the regular book dealers. I know World Fantasy has some weird rules about the dealer’s room that might have prevented it, but this table should have been inside with the rest of us. If other’s follow Baltimore’s lead–and they should–that’s the one improvement they can make.
Conventions are volunteer-run events and as such, there will always be little glitches and mistakes. I know there were a few, but ultimately, I didn’t care. This convention was better than many “professionally-operated” events I’ve attended and people seemed to be having a genuinely good time. That’s the bar I set and adding the extras I’ve mentioned causes me to rate this year’s con quite highly. Congratulations and thank you to everyone that worked on it!
I’ve been invited to be “Honored Professional” at the 2019 Norwescon (SeaTac, WA) in April and will be participating in the Norwescon Writers Workshop as a guest moderator (one of five or six moderators who will be critiquing manuscripts for the workshop).
I’m looking forward to participating in my first Norwescon and working with the authors in the workshop. If you are interested in signing up for the workshop, details are available here.
I’ll be at Capclave in Rockville, MD this weekend.My schedule as follows:
Friday 7:00 pm: SF and Fantasy in Translation
Panelist:Neil Clarke, Inge Heyer (M), Alex Shvartsman
Panelists discuss what makes a good translation. How literal does it need to be? What culteral markers do and do not translate? How does the translator capture the author’s voice yet still keep the work comprehensible to an audience that doesn’t speak the original language and may not be familiar with the culture in which the author lives/lived.
Friday 8:00 pm: Anthology Builder
Panelist:Neil Clarke, Alex Shvartsman, David Stokes, Michael A. Ventrella (M)
So you want to edit and publish an anthology. How do the stories get picked? How do you come up with a theme? What sells and what doesn’t? How do authors produce readable fiction in the straitjacket of an original themed anthology? How do you properly curate your anthology?
Friday 9:00 pm: Dealing With Rejection
Panelist:Neil Clarke, Scott Edelman, Barbara Krasnoff (M), Michael A. Ventrella
Everyone in the field has to deal with rejection at some point. Panelists will talk about how they handle rejection, and in the case of editors, panelists will offer suggestions on how NOT to handle rejection
Friday 11:00 pm: How NOT to Get Published, a/k/a Late Night Tales From the Slush Pile Panelist:Neil Clarke, Wendy S. Delmater, Bjorn Hasseler, Ian Randal Strock, Michael A. Ventrella (M), Sean Wallace
Editors will discuss all the things authors shouldn’t do if they want to be published. For instance, submission guidelines exist for a reason. And no matter how brilliant your story is, threatening the editor will reduce the probability that it will be published to zero.
Saturday 10:00 am: Chinese Science Fiction Short Story: A Conversation between Xia Jia and Neil Clarke
Panelist:Neil Clarke (M), Xia Jia
There has be a steady translation of Chinese science fiction in recent years, but are you curious about the history of Chinese science fiction and its current status in China? Do you want to listen to the talk between one of the most prestigious Chinese science fiction author and the editor who has published dozens of Chinese science fiction stories translated into English? Come and enjoy the conversation between Neil Clarke (on site) and Xia Jia (remotely!)
Saturday 12:00 pm: Short Fiction Contracts Workshop
Coordinator:Michael Capobianco (M), Neil Clarke
Workshop on understanding publishing contracts for short fiction. What to look out for, what to negotiate. Limited to 10 people
Saturday 3:00 pm: Crowdfunding Dos and Don’ts
Panelist:Neil Clarke, Alex Shvartsman, Joe Stech
So you have a fabulous idea or product and a shortage of funds – what do you do. Panelists will discuss successful and unsuccessful crowd funding campaigns, either their own or those of other people. Topics include how to set reward levels, how to budget how much money you need and the merits of various crowd funding sites such as
Kickstarter, Indiegogo and Pozible.
Saturday 7:30 pm: Mass autographing (Ends at: 8:55 pm) Eisenhower
Sunday 11:00 am: Small Press Publishing 2019
Panelist:Danielle Ackley-McPhail, Neil Clarke, Ian Randal Strock, Sean Wallace, Steven H. Wilson (M)
Capclave is lucky to have a number of small press publishers as program participants. The folks from Prime Books, Wyrm Publishing, and others talk about their upcoming projects .