Reminder: If you edit, publish, or write SF short stories, novelettes, and/or novellas and want to make sure they are considered for inclusion in THE BEST SCIENCE FICTION OF THE YEAR, you should read these guidelines: neil-clarke.com/the-best-science-fiction-of-the-year-2018-submissions
The Best Science Fiction of the Year Volume 4 will be published by Skyhorse/Start under their Night Shade Books imprint in early 2019. I am presently considering all science fiction stories (short stories, novelettes, and novellas) originally published in English in 2018. (Translations are allowed as long as their first English language appearance is in 2018.) To keep things simple, I will be using the publisher’s copyright, magazine’s cover date, or posting date (primarily for online fiction) to determine eligibility. Serialized works will be considered published at the time of the final installment.
Print materials must be received by November 1st. Digital materials must be received by November 15th. If your project is scheduled for publication after that date, please send galleys by the above deadlines so that I will have sufficient time to consider your work.
I will require non-exclusive World anthology rights in English in print, ebook, and audio formats for stories I select for this volume.
I will accept science fiction stories, novelettes, and novellas for consideration in the following formats:
Print – mail to:
PO Box 172
Stirling, NJ 07980
EPUB, MOBI, and .DOC – email to:
I dislike reading PDFs, so please do not send me work in this format unless you don’t have any other options and have cleared it with me in advance.
Publishers: If sending a magazine/anthology/collection that also contains other fantasy/horror/other stories, please list the titles of the science fiction stories in a cover letter or email.
Authors: I will not be able to let you know whether or not your work has been submitted by your publisher. To avoid duplication, please check with your publisher before sending a story. If your work is self-published, please include the date and location (blog, website, Amazon, etc.) your work was originally published.
Stories published in the following magazines and anthologies do not need to be submitted. I already have them. UPDATED 8/3/2018
Magazines: Analog, Apex, Asimov’s, Clarkesworld, Cosmic Roots and Eldritch Shores, Diabolical Plots, F&SF, Fiction River, Galaxy’s Edge, Interzone, Lightspeed, Longshot Island, Mithila Review, Mythic Delirium, Shoreline of Infinity, Strange Horizons, Tor.com, and Uncanny.
Anthologies: Beyond Prometheus, Glass and Gardens: Solarpunk Summers, Infinity’s End, It Starts With A Heist, Monstrosities, Solarpunk: Ecological and Fantastical Stories in a Sustainable World, Shades Within Us, Spring Into SciFi, Twelve Tomorrows, Zion’s Fiction
Other: Future Tense Fiction Project
Sending a book/file/story is a one-way transaction. I will not be confirming receipt or returning materials.
Notes on publication dates:
- Magazines: It is traditional for magazine cover date to be used to determine year of publication, however, if a story from a January issue is published on the website of that publication in December of the prior year, that will be considered the first publication date. This is considered an intentional publication by the publisher in the earlier year.
- Anthologies: If the ebook or an e-Arc of an anthology is made available for purchase (and delivery, preorders don’t count) in the year prior to the official copyright year, the earlier year will be ignored when determining eligibility. If the print edition happens to ship a few days earlier than the official publication date, causing it to drift into the prior year, the copyright date will be used. Unlike the digital publication dates, this is something that tends to be outside the publisher’s control. This is why they are treated differently.
Today is the official release date for The Best Science Fiction of the Year: Volume Three. Go buy a copy and/or encourage your library to buy one. 🙂
I’ve already listed the stories that are included in this volume, but every year I have a small pile of excellent stories that I have to cut from my final list. These become the Recommended Reading section at the back of the book. I’d like to share that list with you now.
2017 Recommended Reading
- “Don’t Press Charges and I Won’t Sue” by Charlie Jane Anders, Global Dystopias, edited by Junot Díaz.
- “Mines” by Eleanor Arnason, Infinity Wars, edited by Jonathan Strahan.
- “Pan-Humanism: Hope and Pragmatics” by Jess Barber and Sara Saab, Clarkesworld, September 2017.“
- Goner” by Gregory Norman Bossert, Asimov’s Science Fiction, March/April 2017.
- “Strange Dogs” by James S. A. Corey, Orbit Books.
- “The Moon Is Not a Battlefield” by Indrapramit Das, Infinity Wars, edited by Jonathan Strahan.
- “The Dragon that Flew Out of the Sun” by Aliette de Bodard, Cosmic Powers, edited by John Joseph Adams.
- “A Game of Three Generals” by Aliette de Bodard, Extrasolar, edited by Nick Gevers.
- “Speechless Love” by Yilun Fan, Sunvault, edited by Phoebe Wagner and Bronte Christopher Wieland.
- “Nexus” by Michael F. Flynn, Analog Science Fiction and Fact, March/April 2017.
- “Rain Ship” by Chi Hui, Clarkesworld, February 2017.
- “Canoe” by Nancy Kress, Extrasolar, edited by Nick Gevers.
- “Soccer Fields and Frozen Lakes” by Greg Kurzawa, Lightspeed, March 2017.
- “The Chameleon’s Gloves” by Yoon Ha Lee, Cosmic Powers, edited by John Joseph Adams.
- “The Wisdom of the Group” by Ian R. MacLeod, Asimov’s Science Fiction, March/April 2017.
- “What We Knew Then, Before the Sky Fell Down” by Seanan McGuire, Catalysts, Explorers & Secret Keepers: Women of Science Fiction, edited by Monica Louzon, Jake Weisfeld, Heather McHale, Barbara Jasny, and Rachel Frederick.
- “Sidewalks” by Maureen McHugh, Omni, Winter 2017.
- “The Influence Machine” by Sean McMullen, Interzone, March/April 2017.
- “The Proving Ground” by Alex Nevala-Lee, Analog Science Fiction and Fact, January/February 2017.
- “Books of the Risen Sea” by Suzanne Palmer, Asimov’s Science Fiction, September/October 2017.
- “A Singular Event in the Fourth Dimension” by Andrea M. Pawley, Asimov’s Science Fiction, March/April 2017.
- “Fandom for Robots” by Vina Jie-Min Prasad, Uncanny, September/October 2017.
- “The Residue of Fire” by Robert Reed, Extrasolar, edited by Nick Gevers.
- “Teratology” by C. Samuel Rees, Sunvault, edited by Phoebe Wagner and Bronte Christopher Wieland.
- “Belladonna Nights” by Alastair Reynolds, The Weight of Words, edited by Dave McKean and William Schafer.
- “Night Passage” by Alastair Reynolds, Infinite Stars, edited by Bryan Thomas Schmidt.
- “Vanguard 2.0” by Carter Scholz, Visions, Ventures, Escape Velocities, edited by Ed Finn and Joey Eschrich.
- “Eminence” by Karl Schroeder, Chasing Shadows, edited by Stephen W. Potts.
- “Little /^^^\&-” by Eric Schwitzgebel, Clarkesworld, September 2017.
- “Starlight Express” by Michael Swanwick, The Magazine of Fantasy & Science Fiction, September/October 2017.
- “The Road to the Sea” by Lavie Tidhar, Sunvault, edited by Phoebe Wagner and Bronte Christopher Wieland.
- “The Old Dispensation” by Lavie Tidhar, Tor.com, February 2017.
- “All Systems Red” by Martha Wells, Tor.com, May 2017.
The 2018 Hugo Award Finalists have been announced!
So very honored to be a finalist for Best Editor Short Form again this year. This is my sixth nomination in this category–no wins–and every time has been as much a thrill as the others. Always and amazing group of colleagues competing in this category.
Also very happy to see “The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017) and “A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017) competing for the Hugo Award for Best Novelette and Vina among the John W. Campbell Award for Best New Writer finalists. I included both of these stories in my latest Best Science Fiction of the Year anthology–and Vina as best new writer–so it’s nice to see others agreeing with me.
A big thank you to all the people who nominated this year. I appreciate your support and hope to see some of you at Worldcon this summer!
My editor’s copies for The Best Science Fiction of the Year: Volume 3 arrived yesterday afternoon. The book should be in stores next week!
Gardner Dozois, Jonathan Strahan, Rich Horton, and I edit year’s best anthologies. Here’s the top ten sources for the 2017 stories we included.
These ten markets represent 70.6% of all year’s best appearances. Individually, they have:
Which format has the upper-hand?