2017 Theodore Sturgeon Memorial Award Finalists

The 2017 Theodore Sturgeon Memorial Award finalists were announced this week and I’m very pleased to say that two stories from Clarkesworld are on the list:

The other finalists are:

  • Nina Allan, “The Art of Space Travel,” Tor.com
  • Amal El-Mohtar, “Seasons of Glass and Iron,” The Starlit Wood: New Fairy Tales
  • Victor LaValle, The Ballad of Black Tom, Tor.com
  • Ian R. MacLeod, “The Visitor From Taured,” Asimov’s
  • Dominica Phetteplace, “Project Empathy,” Asimov’s
  • Catherynne M. Valente, “The Future is Blue,” Drowned Worlds
  • Kai Ashante Wilson, A Taste of Honey, Tor.com

The winner will be announced next month at the Campbell Conference at the University of Kansas.

 

 

April/May Catching Up

I’ve been meaning to post more here, but it’s been tough recently. Being sick in April completely undermined my schedule. New issues to prep, ebooks to design for other publishers, slush to catch up on, an anthology to wrap contracts and deliver to the publisher, a trip to Chicago to talk with the Myth-Ink writers group, a family get-away, and prepping for the SFWA Nebula Awards Weekend… so a quick catch-up post feels necessary.

I’m a Hugo Nominee Finalist for Best Editor Short Form for the fifth time. The award ceremony will be held at Worldcon in Finland. Unfortunately, I won’t be able to attend. My travel budget is significantly restricted now that I’m self-employed and that trip turns out to be considerably more expensive than I was told it would be. Will miss attending in person, but Ann VanderMeer has agreed to accept on my behalf should I win, so I will be well-represented. 🙂 A big thank you to everyone that saw fit to nominate me again this year.

Story selections for my next anthology, More Human Than Human, are now complete. I will be announcing the table of contents and revealing the cover (an original by Donato Giancola) sometime in the next week or two. This was the one project most disrupted by that illness as it collided with previously scheduled travel and events.

I went to Chicago last month to talk with the Myth-Ink student writer’s group at Columbia College in Chicago. I enjoyed having the opportunity to chat with students and hope I was able to share some useful knowledge with them. Have to find a way to do more of this sort of thing. It was one of the things I enjoyed most about my old career and a nice way to keep that part of my life. Weather was perfect, so I had some time to wander around Chicago with some of the students beforehand. (There’s a story there about our collective sense of direction.)

Obviously, the May issues of Clarkesworld and Forever came out. I’ve been trying to do some marketing work on this side of things. I’m currently trying to make a push for the Patreon page so I can cover my healthcare expenses. It’s a considerable cost and like many others, I’m seriously concerned about what happens to me if the various healthcare changes go through. I have more than a couple of pre-existing conditions and need to maintain the level of plan I have.

Most recently, the Locus Awards announced their finalists. Clarkesworld is once again a finalist for Best Magazine, “Afrofuturist 419” is up for Best Short Story, and for the first time, I’m on the list for Best Editor. Normally, I’d be thrilled by this, but they also increased the list of finalists from five to ten and if that’s why, it’s bittersweet. It’s silly, but it wouldn’t feel earned.

Amusingly, I’ll be a short distance away from the Locus Awards this year. I’ve agreed to be a workshop leader for the Cascade Writers June workshop in Tacoma.

Before that, however, I have the Nebula Awards Weekend (the mass signing there is always something else and I’ll be participating this time), wrapping up work on Clarkesworld: Year Nine, and the June issues of Clarkesworld and Forever. Before you know it, Readercon will be upon us and the fifth anniversary of my heart attack there. Time is flying by!

2016 Locus Recommended Reading List

The 2016 Locus Recommended Reading List was published last week and it includes the following stories from Clarkesworld Magazine:

Novelettes

Short Stories

Congratulations to our authors!

Oh and I am very flattered that The Best Science Fiction of the Year: Volume One made their list of recommended anthologies.

Locus uses this list as the foundation for their annual poll and survey. Winners will be announced at the Locus Awards ceremony later in the year. The poll should be online shortly.

Clarkesworld and 2016 Award Eligibility

It’s that time of year again. People are beginning to fill out the award ballots and if you are considering nominating us or any of our stories, here’s a quick list to help you figure out what goes in what category.

As has been the case for the last few years, Clarkesworld Magazine is not eligible for the Hugo Award for Best Semiprozine. By Hugo rules, we are professional and therefore ineligible in this category.

I am still eligible for the Hugo Award for Best Editor (short form).

If you want to nominate one of our 2016 stories, the Hugo and Nebula Awards consider them eligible in the following categories (according to word count):

Short Stories

Novelettes

Novellas

WSFA Small Press Award 2016

This weekend, the WSFA Small Press Award winner was announced at Capclave. We had three stories on the ballot (“Cat Pictures Please” by Naomi Kritzer, “The Empress in all Her Glory” by Robert Reed, and “Today I am Paul” by Martin L. Shoemaker) and a long history of other finalists since this award first launched. On several occasions, it has been joked that we are the Susan Lucci of this Award… many nominations, but never a win.

Sadly, Naomi, Robert, and Martin were not able to attend. I have a small stack of unread acceptance speeches from our prior finalists, but nothing in hand from this year’s crew. Naturally, this was realized just before dinner that evening–the award ceremony was to follow–, so I came up with a quick emergency plan.

When they announced that “Today I am Paul” won, I made my way to the stage, briefly stopping to thwack a friend (I believe he started the Susan Lucci reference). When I reached the stage, I said something along the lines of:

“So, I’ve been told that we’re the Susan Lucci of this award, so at dinner, I decide to see what she had to say when she finally won her Emmy and it works, so…”

I then read a slightly reworded version of the first paragraph of her acceptance speech and then went on to say that in all seriousness, thank you. I know that Martin would have liked to have been there, but the cost of travel being what it was, etc. Instead he was at a convention more local to him that weekend. I mentioned that I knew the story was very personal to Martin and that this award would mean a great deal to him. I forget what else I said, as is typical to these moments.

At one point, the crowd mentioned I should call him, but I didn’t have his number, so we took pictures instead. The audience cheered while I took their picture, then had me capture shots of the screen and, for some reason, the ceiling. I then retreated to the sidelines to try to reach Martin by email and Twitter. The actual award showed up later, so I took pictures of that and his certificate as well. After I noticed he surfaced on Facebook, I posted photos to his wall for all to see.

audience

I couldn’t be happier for Martin. Aside from publishing it in Clarkesworld, I made it the lead story in the first volume of Best Science Fiction of the Year. It’s an amazing tale and as I mentioned, a personal–and very moving–one to boot. If you ever have the chance to hear him read it, do so.

By the way, later Martin asked if I started the speech with “Today I am Martin.” That’s why he’s the writer and I am not. Wish I had thought of that one!

Here’s a photo of the actual award. They give one to the publisher and one to the author–which I think is a really nice gesture on their part–so I’ll have one on my shelf too. I’ll be sending Martin his when the post office reopens tomorrow.

smallpress

Thank you WSFA!